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As we step ever onward toward a world without the violence of policing, surveillance, prison and the social and economic violence they support, art and culture can give us both the vitality to keep moving as well as visions to color the horizon.  Issue 21 of The Abolitionist explores the world of “Art and Abolition,” and the way artistic and cultural expression nourish the spirit of our movement and amplify our collective power. In the steps we take towards PIC abolition, creativity and imagination are essential tools that energize and create space for the growth and development of alternatives to a system that is meant to crush the human spirit.  In this issue, we see the ways in which movements have utilized images to further political messaging; we read about how fiction and storytelling allow us to do everything from conjuring with the rich histories that make us who we are, to putting forth worlds vastly unlike our own; we hear echoes of the songs sung 80 years ago by imprisoned women decrying their oppressive conditions, while maintaining and casting out the resistance that always meets repression. Throughout this issue, we see how art can be a means of personal expression and healing, just as it can be a powerful organizing tool.

brown and prowd

This issues features art, poetry, articles, creative writing, and analysis from a diverse array of  thought-provoking contributors including: Melanie Cervantes, Martín Espada, Mikey Muscadine and Ruben Leal of the Aztlán Beautification Movement, Pam Fadem, Walidah Imarisha, Marilyn Buck, Isaac Ontiveros, Ashley Lucas, Sarah Haley, Evan Bissell, Christopher P. Bell Jr, Project NIA, Mary Sutton and Hans Kuzmich of CRLA, Lydia Pelot-Hobbs, Pauline Collins, Robert C. Fuentes, Rashid Johnson, Hector Aristizábal, Alexis Pauline Gumbs, Emory Douglas, Jose Villarreal, and Ronnie Goodman.

Love and struggle